Vol. 12
September 2011
Players, Gear & Sound — The Inside
Imagine This... Phil Brown Returns With A New Studio Recording Spanning 5 Years In La La Land, Texas, Colorado, New Mexico And Germany Brown Sounds... The Ampeg VL-1002, Vintage Marshall 8x10 Cabs, The Hiwatt, Squire 7-String, Lollar Specials, The Black Mesa Clements, Les Paul Studio, Lee Jackson Atomsmasher, Electro-Harmonix Micro-Pog, Hermida Distortion, The Bone Squeeze & Roland VS-880. Interview - Lee Jackson On Designing His Ampeg Amps And The Resurrection Of The Atomsmasher... Review - The Atomsmasher Interview - Red Plate Amps With Founder Henry Heistand Review - The Red Plate Tweedy Verb And Black Verb Amps Review - The Big T Pickup Team Built By Lindy Fralin And Jim Weider - The Perfect Rhythm Pickup For Yer Tele! Review - On Cheese, Trout And Crackheads... We Flip Over A '62 Patent Sticker Number Vintage Humbucker

Online articles for this issue are coming soon—check back soon. Until then, the issue is available to Digital and Print + Digital subscribers as a downloadable PDF.
PLAYERS, GEAR & SOUND
The Inside
- Imagine This... Phil Brown Returns With A New Studio Recording Spanning 5 Years In La La Land, Texas, Colorado, New Mexico And Germany
- Brown Sounds... The Ampeg VL-1002, Vintage Marshall 8x10 Cabs, The Hiwatt, Squire 7-String, Lollar Specials, The Black Mesa Clements, Les Paul Studio, Lee Jackson Atomsmasher, Electro-Harmonix Micro-Pog, Hermida Distortion, The Bone Squeeze & Roland VS-880.
- Interview - Lee Jackson On Designing His Ampeg Amps And The Resurrection Of The Atomsmasher...
- Review - The Atomsmasher
- Interview - Red Plate Amps With Founder Henry Heistand
- Review - The Red Plate Tweedy Verb And Black Verb Amps
- Review - The Big T Pickup Team Built By Lindy Fralin And Jim Weider - The Perfect Rhythm Pickup For Yer Tele!
- Review - On Cheese, Trout And Crackheads... We Flip Over A '62 Patent Sticker Number Vintage Humbucker
© 2011 Mountainview Publishing, LLC. All rights reserved. The ToneQuest Report® is presented as a collective work. Individual contributions may be separately protected by copyrights held by their respective authors.
